![Item #212 [Dalziel, Foster, Tenniel, etc.] The Grave, A Poem. Robert Blair](https://nudelmanbooks.cdn.bibliopolis.com/pictures/212_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1326912404)
Edinburgh: A.C. Black, 1858. First edition thus. 8vo. Original plum cloth with blind-sped and gilt front cover and spine by JOHN LEIGHTON. Woodcut illustrations throughout engraved by Edmund Evans and Dalziel Brothers by Birket Foster, John Tenniel, T. Dalziel and others. Near fine. (Item #212)
![Item #557 [Foster, Birket] of Thomas Hood. Thomas Hood](https://nudelmanbooks.cdn.bibliopolis.com/pictures/557.jpg?width=320&height=427&fit=bounds&auto=webp&v=1332881064)
London: E. Moxon, 1872. First Thus. Large quarto. Original publisher’s heavily gilt and stamped brown cloth with border designs over blue relief panels, beveled boards. AEG. Tissue guarded woodcut illustrations throughout by Birket Foster. Expertly recased. About fine. A beautiful book. (Item #557)
![Item #291 [Severn, Walter] Good Night & Good Morning. Lord Houghton](https://nudelmanbooks.cdn.bibliopolis.com/pictures/291.jpg?width=320&height=427&fit=bounds&auto=webp&v=1619542561)
London: n.d. (ca 1880). First edition thus. 4to. Decorated brown cloth. Illuminations and etchings throughout by WALTER SEVERN. An attractive and scarce book. Front cover detached, outside margins of spine frayed, corners bumped. Nice interior. (Item #291)
London: Smith, Elder & Co, 1848. First edition. Original color pictorial paper-covered boards with exquisite and intricate designs on both covers and spine, originally decorated endpapers. Illustrated by Richard Doyle. Fragile covers show wear predominantly at outer edges and at spine leaving most, if not all of the pictorial images..... (Item #802)
![Item #767 [Leighton, John] Old England: A Pictorial Museum. Charles Knight](https://nudelmanbooks.cdn.bibliopolis.com/pictures/767.jpg?width=320&height=427&fit=bounds&auto=webp&v=1341344518)
London: James Sangster and Co., 1864. First edition. Two Volumes (392, 404pp) Folios (27 x 36 cm, 4 cm thick). Original textured red-brown cloth with heavily ornate gilt seal motif and lettering, blind-stamped intricate designs, both covers and spines by JOHN LEIGHTON, beveled boards, marbled endpapers. 40 wood-engraved woodcuts engraved..... (Item #767)
![Item #509 [Association Copy from the author to the Duchess of Argyll] Harebell Chimes. Andrew...](https://nudelmanbooks.cdn.bibliopolis.com/pictures/509_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1332881064)
London: Longman, Green, Longman & Roberts, 1862. Second edition. 12mo. Bound in attractive full, fine grained pebbled calf (green) with ornate geometric gilt designs on both covers and dentelles, five ornate gilt panels on spine, silk endpapers. ASSOCIATION COPY: “Presented to Her Grace The Duchess of Argyll with the respectful..... (Item #509)
![Item #955 [Illumination] The Art of Illuminating. As Practiced in Europe from the Earliest Times....](https://nudelmanbooks.cdn.bibliopolis.com/pictures/955.jpg?width=320&height=427&fit=bounds&auto=webp&v=1348674601)
London: Day and Son, 1869. First edition. Thick quarto. Original lavishly gilt and interwoven brown cloth both covers and spine, beveled boards. Chromolithographed title and half-title, 100 chromolithographed plates printed on thick card paper each with tissue guard providing a thorough overview of the art of illumination from the 6th-16th..... (Item #955)
Fine Books and Art
