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London: Alexander Strahan, 1866. Original publisher's brown gilt cloth with designs on cover and spine. Full page frontispiece woodcut illustration by J.E. Millais. Covers show wear, esp on edges ad extr. of boards and spine. Both hinges are intact, one stain latter page. (Item #454)

Long Crendon: Seven Acres Press, 1930. First printing. 6 x 8 inches. Beautifully bound by Loyd Haberly in rich salmon morocco with two central geometric inlays outlined in bold gilt, and surrounded by gilt pointille circular border with the Latin words,"Vera Sequor (I follow the truth) as well as the..... (Item #5065)

St. Louis: Haberly, 1943. Finely bound by Haberly in full red-brown calf with Haberly's all-over ornate and pleasing stylized gilt work which has become quite recognizable. Limited to only 48 copies. Beautifully patterned green endpapers. This copy is inscribed by Haberly in the form of a poem, on the leaf..... (Item #6222)

London: Chatto and Windus, 1876. First edition. Original dark green cloth with single ruled gilt border, gilt publisher's device (design) at foot of spine, lettering on spine, dark green endsheets. From grouping of books owned by William Bell Scott. Though not signed by Scott, there is a four-page prospectus laid..... (Item #2463)

London and Chicago: Elking Mathews and John Lane/ Stone and Kimball, 1894. First edition. Publisher's smooth buckram (brown) with bold gilt designs on cover and spine. 500 copies. Top edges smooth, others uncut. Portrait frontispiece of Hake by D. G. Rossetti. Preface by Alice Meynell. A superb copy with minor..... (Item #2195)

Liverpool: At the Office of "Cope's Tobacco Plant" 1889. First edition. Three-quarter tan polished calf. Original full booklet bound in, illustrated title page, woodcut frontis, with color pictorial cover illustrations on front and back covers, woodcut illustrations, all by John Wallace. The first of what was to be five separate..... (Item #4266)

Chicago: Herbert S. Stone & Company, 1899. First edition. Light red cloth with yellow circular vignetted, lettering and ruling in yellow on covers and spine. TEG. Spine lightly sunned, near fine. Kramer 208. (Item #587)

London: Labour News Publishing Offices, 1892. First edition. Dark green cloth with attractive gilt decorated designs on all four corners of frnt cover, gilt lettering on spine. A scarce title by a lesser known printer. (Item #1997)

New York: Harper & Brothers, 1892. First American edition. Brick red cloth stamped with gilt lettering and black shamrock design by Margaret Armstrong. The scarcer first American edition, with frontis and ten plates, published in January, 1892, and censored some events in the British text. Some cover wear, loosened text..... (Item #5220)

London: George Allen, 1895. First edition. Two volumes. 8vo. An unsigned binding in the style of the Doves Bindery. Bound in full brown morocco in Doves Bindery style, flat spine sewn on five cords, heavily stamped in gilt floral designs on all covers in an all-over motif, distinctive Arts &..... (Item #4927)

New York: Charles Scribner's Sons, 1893. First edition. Full reddish brown cloth with cunning cover illustration, lettering and design by Margaret Armstrong in black and silver. Unsigned, and appearing in Matthews', "Bookbindings, Old and New," 1895, with the caption, "Designed by Miss Armstrong," and Gullans and Espey, #181. The cover..... (Item #5825)

Leipzig: B.G. Teubner, ca. 1890. Tall folio. 20 x 14 inches. In original publisher's green printed wrappers (with folder mounts in which to place the plates) with attractive cover printed in red and black of stylized poppy design. 12 full-size card art paper plates printed in stunning sepia colors of..... (Item #6193)

Canton, PA: Lewis Buddy, 3rd; The Kirgate Press, 1901. First edition. A superbly bound binding by Adams on the excessively scarce and highly limited Japan Vellum edition for this Kirgate Press title, limited to only FOUR COPIES, so stated by Lewis Buddy, its founder, in a holograph note below the..... (Item #4502)