London: Swan, Sonnenschein & Co., 1892. First edition. Original publisher’s full stiff vellum covers with superb gilt-stamped pictorial covers by Laurence Housman. One of Only 100 Copies Thus, Signed as limitation by the publisher William Swan Sonnenschein in fountain pen on verso of front free endpaper: “No. 67. Swan Sonnenschein..... (Item #3391)
![Item #2902 [Housman, Laurence] Jump to Glory Jane. George Meredith](https://nudelmanbooks.cdn.bibliopolis.com/pictures/2902.jpg?width=320&height=427&fit=bounds&auto=webp&v=1440868770)
London: Swan, Sonnenschein and Co., 1892. First edition. Bound in contemporary full fine polished calf with concentric gilt-ruled borders on covers, five raised bands and gilt decorated panels, two morocco labels on spine. Extremely scarce LARGE PAPER COPY, LIMITED TO 100 COPIES, original vellum covers with ornate design by Laurence..... (Item #2902)
![Item #1993 [Meredith, George] The Tale of Chloe. George Meredith](https://nudelmanbooks.cdn.bibliopolis.com/pictures/1993.jpg?width=320&height=427&fit=bounds&auto=webp&v=1399430587)
Westminster: Archibald Constable and Company Ltd, 1900. Contemporary fine binding of green goatskin, both covers tooled in gilt with innovative leafy scrolls, dots and a small flower and copious cross-hatching. T.E.G. A fine copy of an attractive unsigned contemporary binding. (Item #1993)
![Item #1316 [Meredith, George]Modern Love. George Meredith](https://nudelmanbooks.cdn.bibliopolis.com/pictures/1316.jpg?width=320&height=427&fit=bounds&auto=webp&v=1372277794)
London: Chapman & Hall, 1862. First edition. Original green intricately blind-stamped cloth with bold gilt lettering on spine. A daring tale calling upon autobiographical references, Modern Love stands as one of the greatest collections of Victorian poetry, much read by fellow artists and poets of the day. A splendid copy..... (Item #1316)
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