London: Macmillan and Co., 1895. First Thus. Three uniform volumes of similar size, similarly bound by the Doves Bindery, designed by Cobden-Sanderson and bound at his bindery, all signed in rear dentelles, "The Doves Bindery, 18 C-S 97." Exquisite, finely wrought in the most classic Doves Bindery style in wonderful..... (Item #4438)

London: Eliot Stock, 1892. Eighth Edition. Superb full brown morocco with an attractive floral design in gilt and blind. Engraved frontispiece, headbands, vignettes and engraved illustrations throughout. With special preface where Boyle gives an homage to to her Collie, which had just passed away. This work presents her "Garden Story"..... (Item #4925)

Two pages on folded light green paper, April 28, 1901. Autograph Letter Signed to noted American architect, author, and printing designer, Frank Chouteau Brown, during the very period in which Will Bradley was withdrawing from work for a season owing to personal stresses and impending nervous breakdown, and the letter..... (Item #4803)

Springfield: The Wayside Press, 1896. First edition. Original printed prospectus, 10 1/4 x 5 inches, one uncut folded folio sheet, making four pages. Lavishly illustrated/decorated front cover by Bradley with lettering in red, printed in red and black with decorations and examples of the upcoming Volume One, Number One. April..... (Item #4955)

Large (5 x 11") proof illustration for one of Bradley's best images, woman with baby in front of stylized Art Nouveau style trees. This scarce insert appeared in one of Bradley's famous, "Bradley, His Book," series, but ours appears to be an oversized example with larger margins, and thus a...... (Item #3749)

New York: Village Press, 1907. First edition. Original green laid paper over boards, Japan vellum spine, with cover roundel "EB." The rarest of all Village Press books, this is the special Japan Vellum issue, Limited to 40 Copies Only." The Colophon reads, "This edition of Elisha Brown Bird, His Book..... (Item #4980)

New York: Covici, Friede, 1930. First edition. Large quarto. Superbly bound at by Donnelley in full tan finely crushed morocco with large accentuated raised bands extending onto the covers, star patterning with gilt dots on covers and spines, including blind ruled compartments. Superb and highly innovative gilt stamped dentelles with..... (Item #4370)

San Francisco: Paul Elder and Co., 1902. First edition. Bound in full dark brown crushed morocco with elegant gilt flower and stem motif on both covers and spine, a mutual collaboration designed and executed by Miss A. C. Crane and Miss Lucinda N. Butler (from Tomoye Press Catalog, c. 1902)..... (Item #2508)

London: Henry Piazza et Cie, for the Fine Art Society, 1905. First edition. 4to. Original full dark green morocco binding by W. H. Smith Bindery, under the directiion of Douglas Cockerell, gilt lettering on cover and spine, raised bands, gilt borders. IN THE ORIGINAL PUBLISHER'S DARK GREEN CLOTH-COVERED DROP-SIDE WOODEN..... (Item #4229)

London: Frederick Warne, 1904-1910. First Thus. Offered here is a total of 17 Picture Books published by Warne, ca. 1904-1910, all with original glassine dust wrappers and all fine condition comprising the complete output of early reprints for this famed series, plus a duplicate copy of John Gilpin. Some fraying..... (Item #1907)

2pp., on 5 x 8 single leaf Doves Press Stationary (No. 1 The Terrace Hammersmith W.). Written in 1906 by Cobden-Sanderson, premier bookbinder and founder of the Doves Press to Charles Williston McAlpin, 1865-1942, who became a prominent customer of the firm, after the receipt of this letter. McAlpin, son..... (Item #5077)

London: Philip Lee Warner for the Medici Society, 1912. First edition. Two volumes, quartos. Handsomely bound Arts & Crafts style binding by W.H. Smith & Son (signed WHS on rear dentelle) from a design by Douglas Cockerell (see below) who managed the bindery from 1906-1914. Full crushed turquoise morocco with..... (Item #4922)

Boston: Copeland and Day, 1895. First edition. Original beige paper covered boards with famous orchid design on both covers, lettering on cover and spine in black, stamped on front pastedown "Dudley and Hodge," as issued. Landmark in 1890's printing, "The Black Riders" was Crane's first book of poetry and second..... (Item #3199)